26 May – 30 Sep. 2016. Curator: Olga Shishko. The Pushkin State Museum of Fine Arts, Moscow
The Pushkin State Museum of Fine Arts presents the first project of its newly established Department of Film and Media Arts. This exhibition (...) represents a collection of 19 artworks of outstanding video and media artists of the 20th and 21st century. The project is dedicated to the collision of the past and the present, the innovative processes which occurred in the 20th century and were related to the "liberation" of artistic tools and media.
Included in this exhibition is:
NAN HOOVER, 'Impressions', 1978, single-channel video installation
(Nan Hoover Foundation, LIMA Amsterdam)
"...An early tape that demonstrates how for Nan Hoover work in video is handicraft, in the litteral sense, and the video camera no less basic a tool than the pencil. The hand drawing light and shadows on a surface is at the same time the hand being portrayed; the light is also a tool and a concept at the same time. Hoover elicits an evocative tension between abstraction and reality, fluidly manipulating light and shadow into sculptural form with slow, concentrated movements..."
8-17 April 2016. Curator: Ulrike Grelck. ACUD e.V., Berlin
The exhibition included the video by NAN HOOVER: 'Returning to Fuji', 1984 http://acudmachtneu.de/events/506/transit/
22 October 2015 – 15 February 2016
Gallery of the Art Academy Düsseldorf - Die Neue Sammlung
(Gallery of the Art Academy Dusseldorf - The New Collection)
This exhibition highlighted Nan Hoover's position as inspirer, professor and practitioner of transmedial and transnational art. Together with the Art Academy Dusseldorf, the Nan Hoover Foundation presented a diversity of works from both the Academy's Archive – with newly discovered early work – and the Nan Hoover Foundation's collection. Both the central concern with slow motion and the ease with which content is translated from one medium to another were emphasized. Of special note was the successful reconstruction of two key video installations: 'Doors' (1981) and 'Black and White' (2000).
Read review by Rob Perrée
19 July 2015 – 10 January 2016
Museum Kunst der Westküste, Alkersum / Föhr
In cooperation with the Nan Hoover Foundation an extensive show of works from all phases of Nan Hoover's artistic practice was held in the spacious rooms of the as yet young Art Museum for the West Coast on the island of Föhr (founded 2009). A differentiated conceptualization of a large selection of videos, drawings, photographs and sculptures grouped in sections provided the numerous visitors with insights into Nan Hoover's artistic research, such as into the employment of moving pictures, mirroring and reflection, the phenomenon of time, or the dynamics of light and shade.